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The Top 10 Benefits of Playing Guitar
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Written by Ross
Wednesday, 14 July 2010 11:08 |
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BLOG -
TOP 10
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Ever wondered if playing guitar would be right for you? Here are 10 reasons why choosing to play guitar may be the best decision you’ll ever make.
1) Better intellectual capacity
One of the most obvious benefits of instrumental music for students is that you can get a better mark in music class, but did you know that making music can help you in your other subjects as well? Many studies have shown that students who play music have generally higher test and IQ scores than students who aren’t musical. If you’re past your school years, countless other studies have proven that practicing musicians of any age are more alert, which can lead to better memory retention.
2) Discipline and patience
Patience and discipline are virtues that so many of us lack in today’s world. Music, however, is known for its ability to lengthen attention span for its player. The discipline required to master guitar is also helpful in your everyday life when coping with tedium or difficult tasks... |
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The Importance of having a Repertoire
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Written by Ross
Wednesday, 19 May 2010 13:24 |
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Over the years, I have met many guitar students who could not actually play anything, even though they had taken lessons, perhaps for years.
If they were asked to play something, the best they could do would be offer you some isolated "pieces" of songs or solos they had worked on.
They are missing certain pieces of knowledge about the Art & Science of practicing that would enable them to get past a hurdle that stops the progress of many guitar students: how to actually finish something you are learning, and bring it up to what is called "performance level", which is another way of saying "I can get through this without it falling apart so badly I can't keep it going", or "I play it all the way through well enough to not cause me major embarrassment, or the listener major discomfort, or pain".
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There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.
Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and 'smart' skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician's world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent! ...
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How to avoid musical burnout.
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Written by Ross
Tuesday, 19 January 2010 09:03 |
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Do you sometimes find it difficult to stay focused and motivated to practice or play music? Most musicians I know (including myself) have had at least one significant period in their lives when they have experienced musical burn out - a general feeling of being uninspired, unmotivated, bored, or just plain lazy! I'm not necessarily talking about people who have lost interest in music, I'm referring to those who love it, but have struggled to maintain focus at some point during their lives. Let me illustrate 2 examples, an intermediate level player and a professional musician... Here is an excerpt of an email I received from an intermediate level player:...
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Playing with conviction
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Written by Ross
Sunday, 20 December 2009 09:53 |
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 "As instrumentalists we have to try that much harder to communicate with the listener because there is no vocalist to do that for us. We have to make sure our instrumental voice carries." I'm very often disappointed when I go and hear straight-ahead jazz guitarists play in a club, no matter how good they may be. Many have practiced their technique and have a knowledge of harmony that is clearly impressive. They have good time and play well with the other band members. But 9 times out of 10 I am disappointed and for the most part I think I know why. Most of these players spend countless hours in the bedroom practicing, working on stuff, perfecting things, analyzing chord changes, working on harmonic ideas and so on, something that no one recommends more highly than I, but it seems that so often these musicians lack the ability to communicate musically. Now I'm not suggesting that we as artists entertain with tap dancing, plate spinning, telling jokes and so on, I'm talking about finding a way to connect with the audience, and the first step to doing this is through sound projection with our instrument. Don't forget, as instrumentalists we have to try that much harder to communicate with the listener because there is no vocalist to do that for us. We have to make sure our instrumental voice carries... |
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